Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in each of the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.
By this I mean that we no more have a closed system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.
Kent du Pre has done such work Dessin Animé Avion En Papier on Symmetric figures such as stars from which flowers can be folded. Irregular figures have came out occasionally, but the most extreme form occur in Paper Magic with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course strongly related to paper trimming. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive thickness. The most recent point out of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
reported as getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in principle. Japanese books are filled with slitting to achieve ears or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to give enough points for the hip and legs. Rohm folded his Circus pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to Origami Easy Flower avoid the complexities of a model achieved solely by folding.
Within a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling It is now usual in animal folds to call for a final modelling particularly when foil has been used and one can be certain of the material remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modeling following the folding The thought of wetting the paper appears to be Japanese in origin was demonstrated by Yoshizawa Origami Owl Bracelet at a Convention in Luton. Another method of damp moulding using paste in the preparation is mentioned by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The folds tend to be gentle and are approaching sculpture rather than Origami.
Bateau en papier
Typically the associated arts are Weaving and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The particular sheets of paper are folded together but usually opened at the finish to show the multi-layers usually with different Origami Owl Locket colours. In flower folding and possible doll-making the multi-layer technique is exploited for the own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to create techniques involving 2 separate sheets of papers each folded to represent some part of the animal and then brought with each other. The idea may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have appeared for folding a dragon from a amount of potager of different sizes.
Comment faire un avion en papier
In the most extreme mixtures of water and papers Origami Paper Size we are, of course , in the world of fun which is obviously an open-ended art. DecoratingThe most basic step from the single colour is one side female and one white or plain. A great deal of modern Origami intrusions this colour difference. A new delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design well suited for a special model. The end of this process is evidently the decoration of the ultimate model and therefore into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then bow and finally string.
Fleur en papier
The slicing out of holes and so on. to indicate eyes etc is sometimes found in Japanese books and we are obviously dealing with a approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). Typically the last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and obviously here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its most basic form we might use stuff, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or cards. Probably the most unusual form of 'display mechanics' that I actually am acquainted with is by Toyoaki Kawai.